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ELEVEN
Golden tree sap running in long threads down dark, rough bark, lit so the resin glows against the wood

Eleven materials · One still

Eleven raw materials, four compositions, and a number where the name would go. Distilled in the room upstairs and blended the week you order it.

The materials

Five materials, four compositions

Every composition we sell is filed under the material that carries it — resin, citrus, wood, flower, root — because that is what it is. There is no pyramid diagram, no top-heart-base story and no seasonal edition.

Point at a material to see it

Two dozen rough amber tears of resin scattered on a plain white surface in flat, even light
A glass pipette releasing a single drop of golden oil into the neck of an amber bottle against a plain white ground

The bottle

Filled in the room, the week you order.

Nothing is filled in advance. A composition is built from the same eleven materials, rested, and bottled against the order — which is why there is a wait, and why there is no shelf of stock behind the counter.

Raw materials
11
Bottled
On order
Rest before filling
6 weeks

The colour is the composition itself at the depth of the bottle. Natural extracts are not clear, and nothing is added to correct that.

Small copper distillation heads on a bench in front of a bright window, silhouetted against daylight

The still

One still. One batch at a time.

A single copper alembic on the floor above, and it runs one material at a time. There is no second still, so a week spent on wood is a week not spent on anything else.

We distil what can be distilled here and buy the rest from people we can name — and we will name them if you ask.

The wait

Nothing leaves before six weeks.

A blend made this morning smells like its parts. Six weeks later it smells like one thing. The chemistry is unremarkable and the patience is the entire product, which is a difficult thing to put on a shelf.

A dark glass bottle and two small ceramic cups on a black shelf against a plain warm wall, in low even light
  1. 01

    Build

    Weighed to the tenth of a gram against a written formula, not by eye and not by memory.

  2. 02

    Rest

    Six weeks in the dark at room temperature. Nothing is done to it and nothing is checked.

  3. 03

    Filter

    Chilled and filtered once. Some of the colour goes; none of the material does.

  4. 04

    Fill

    Bottled, dated and numbered. The date is on the label because it matters.

Black and white still life of a round glass flask standing on a balance on a windowsill, city rooftops beyond

The house

A scent is not a signature.

You are not required to find one perfume and wear it for a decade. Materials behave differently on different skin and in different weather, and a house that tells you otherwise is selling loyalty rather than a smell.

We would rather you bought less of something you were sure about.

Visit

Start with the raw materials.

A first visit is the eleven materials on their own, in the order they are usually built. Nothing is blended, nothing is sold, and most people leave without ordering anything.

Visit
45 min
Hours
Wed – Sat, 10:00 – 18:00
Bench
Four seats, by appointment
Ask for a bench

We answer within one working day.

A glass pipette releasing a single drop of golden oil into the neck of an amber bottle against a plain white ground